The Freedmen in Roman Art and Art History by Lauren Petersen
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The Freedman in Roman Art and Fine art History
Published by Cambridge University Printing, New York, 2006
Used Hardcover
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Gray cloth boards with black spine lettering; colour illustrated dj with mylar cover; xviii, 294 pp; bw and color illustrations. "In this study, Lauren Hackworth Petersen critically investigates the problematic notion of "freedman art" in scholarship, dependent as information technology is on elite-authored texts that are filled with hyperbole and stereotypes of freedmen, such as the memorable fictional character Trimalchio, a impolite ex-slave in Petronius's Satyricon. She emphasizes integrated visual ensembles within defined historical and social contexts and aims to show how material culture can reflect preoccupations that were prevalent throughout Roman society. Interdisciplinary in telescopic, this book explores the many means that monuments and artistic commissions usually ascribed to freedmen spoke to a much more than complex reality than that presented in literature."--Jacket. Contents: Introduction : the Roman freedman, "freedman art," and Trimalchio --; pt. I.; Public life and assimilation --; 1.; Rebuilding Pompeii : the Popidius family and the temple of Isis --; 2.; The visibility of the Augustales in Pompeii --; 3.; Memory making in the funerary realm : the tomb of the Baker in Rome --; pt. Ii.; Social integration : Domus and family --; iv.; "Freedman gustation" in Domus decoration --; v.; To claim a Domus : the house of the Caecilii at Pompeii --; 6.; Family and community at the Isola Sacra Necropolis : the tomb of the Varii. VG/VG (ex fine art library with usual stamps and labels on block, dj spine, title page verso, and inside rear cover. Pages are otherwise very make clean and clear. Binding is tight.). Seller Inventory # 187667
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Bibliographic Details
Title: The Freedman in Roman Art and Art History
Publisher: Cambridge University Press, New York
Publication Date: 2006
Binding: Hardcover
About this title
Synopsis:
From monumental tombs and domestic decoration, to acts of benefaction and portraits of ancestors, Roman freed slaves, or freedmen, were prodigious patrons of fine art and architecture. Traditionally, yet, the history of Roman art has been told primarily through the monumental remains of the emperors and ancient writers who worked in their circles. In this study, Lauren Petersen critically investigates the notion of 'freedman art' in scholarship, dependent as it is on elite-authored texts that are filled with hyperbole and stereotype of freedmen, such every bit the memorable fictional character Trimalchio, a boorish ex-slave in Petronius' Satyricon. She emphasizes integrated visual ensembles inside defined historical and social contexts and aims to show how material culture tin can reflect preoccupations that were prevalent throughout Roman society. Interdisciplinary in telescopic, this book explores the many ways that monuments and creative commissions by freedmen spoke to a much more complex reality than that presented in literature.
Book Description:
Roman freed slaves, or freedmen, were prodigious patrons of art and architecture. In this report, Lauren Petersen critically investigates the notion of "freedman art" in scholarship, dependent equally it is on aristocracy-authored texts that are filled with hyperbole and stereotype of freedmen, such every bit the memorable fictional character Trimalchio, a boorish ex-slave in Petronius' Satyricon.
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